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Your music and Coca-Cola
Published about 1 month ago • 4 min read
Welcome [back] to another week of your weekly dose 🎶
Every Tuesday, I’ll be sharing tips, updates, and must-know music marketing insights to help you get your music heard!
Here's something I think about a lot:if Instagram disappeared tomorrow, what would you actually have?
That's not hypothetical. Over 400 million accounts were hacked last year, musicians included, and all that content, all those followers, all that hard work can disappear overnight.
If the only place your fans can find you is a platform you don't control, they're not really your fans yet. They're the platform's audience.
Winamp's website builder lets you set up your own space in minutes - somewhere you own, outside of social media, where your fans can find you no matter what happens to the algorithm.
And with their Fanzone, you can set up a paid subscription where you share exclusive content, early releases, behind the scenes, whatever makes sense for your audience. You set the price. $2, $10, whatever works for where you're at.
Social media is great for discovery. But the relationship with your fans should live somewhere you control.
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If you had $1,000 to promote a new song, would you spend it targeting the US, Europe, or... Maybe Brazil?
Yesterday I had a call with a student who is releasing a song this week. He asked me to take a look at his ad campaign and see how he can improve his results.
I had a few notes, but the main one - and the one that turned into a full conversation - was this: he wanted the ads to target the US.
His request made sense, buttttt it's the wrong move, and here's why.
Targeting tier 1 countries (US, UK, Australia, Canada) with ads is more expensive than targeting tier 2 countries (South America, Eastern Europe, etc.). For the same budget, you'll get far fewer listeners by targeting tier 1. Sometimes it can be 10 times more expensive per listener.
Targeting tier 1 only makes sense if your budget allows it. Most musicians can allocate $1,000 or less, which is why I recommend tier 2.
Now you might ask - what's the point of the ad campaign if we're not reaching our target audience in tier 1 countries?
Here's the point.
You use ads as a complement to a playlist campaign. Playlists give you streams. Ads give you saves. Together, they trigger algorithmic playlists, which can 100x your results.
That's the whole story. If you target the US with a $1,000 budget, you might not generate enough impact to trigger algorithmic playlists. If you target Bulgaria with that same budget, you almost certainly will.
So how do you reach your target audience in tier 1 countries?
This is when I told my student about the Coca-Cola company.
Coca-Cola has thousands of drinks - some popular, some less so. And they want someone to become a fan of not just one or two, but many of their drinks. They do it by promoting, for over 100 years, one single product: the original Coca-Cola drink.
When they release a new drink, do you think they spend their full marketing budget promoting it? They wouldn't spend even 0.1% of their budget on a new product.
Why? Because there's not enough proof yet that people actually want it.
What I told my student is this: you're about to spend your entire marketing budget on a song you don't even know performs well yet.
Why not spend some of it promoting the new song to trigger algorithmic playlists from tier 2 countries, and spend the rest promoting your best-performing song to tier 1 countries?
That's your signature song. That's the entrance song to your world. That's the song that will make someone go back and stream everything else you've made.
That's what Coca-Cola is to the Coca-Cola company.
Before your next release, pull up your Spotify for Artists and social media analytics and find your Coca-Cola song.
Then split your next campaign like this:
→ New release: run ads to tier 2 countries to trigger the algorithm cheaply
→ Your Coca-Cola song: run ads to tier 1 countries to reach the audience you actually want
Two campaigns, one budget, and suddenly you're doing what most independent artists never figure out - using a proven song to bring people into your world, while the new one earns its place algorithmically.
Your Weekly Reel Idea
How would you react to the very first song you ever made? It's a strong hook that draws people in, and by reacting to that old song, you create a fun and relatable video that makes your audience feel like they're getting to know you better.
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That’s it for this week! Hope today’s email gave you something useful to work with.
Until next week, Finch 🎶
P.S. Newsletters aren’t social media - I can’t see what you’re enjoying unless you tell me. Hit reply and let me know what you liked (or didn’t) - I’d love to hear from you! 😊
ABOUT: Hey there, I’m Finch Bergling - a musician, business graduate, marketing specialist and playlist curator who’s spent the last 10 years navigating the music industry while figuring out how to make the creative life not just sustainable but fulfilling.
My mission is simple: to help independent musicians avoid the pitfalls I faced and give them the tools, strategies, and confidence they need to succeed. I specialize in ads, storytelling, content creation, playlist curation, and much more. Whether it’s creating Facebook ads that actually convert or building a sustainable online brand, I’m here to help you grow your career without sacrificing your creativity or your sanity.
If you’re ready to level up, I share free tips and resources across my social media channels and email community. At the end of the day, I want to see you succeed – and if you join me, I'm sure that I will see it.
Every week, get content ideas, music marketing tips, exclusive tools & discounts straight to your inbox! Leave your email below to join 4,500+ musicians on my list ⤵️
Welcome [back] to another week of your weekly dose 🎶 Every Tuesday, I’ll be sharing tips, updates, and must-know music marketing insights to help you get your music heard! By Finch Bergling This week's newsletter is sponsored by... me 😀 I would like to introduce you to "More Than Streams 🧩" - the weekly music marketing podcast that will teach you how to get, you guessed it, more than streams. Listen to the most relevant music marketing tips, case studies, interviews, and everything you need...
Welcome [back] to another week of your weekly dose 🎶 Every Tuesday, I’ll be sharing tips, updates, and must-know music marketing insights to help you get your music heard! By Finch Bergling This week's newsletter is sponsored by... me 😀 I would like to introduce you to "More Than Streams 🧩" - the weekly music marketing podcast that will teach you how to get, you guessed it, more than streams. Listen to the most relevant music marketing tips, case studies, interviews, and everything you need...
Welcome [back] to another week of your weekly dose 🎶 Every Tuesday, I’ll be sharing tips, updates, and must-know music marketing insights to help you get your music heard! By Finch Bergling This week's newsletter is sponsored by... me 😀 I would like to introduce you to "More Than Streams 🧩" - the weekly music marketing podcast that will teach you how to get, you guessed it, more than streams. Listen to the most relevant music marketing tips, case studies, interviews, and everything you need...